David Mellor’s most recent cutlery, London, shows his characteristic mastery of form. This superb new cutlery is beautifully sculpted, its subtleties accentuated by the silky matte finish and distinctive offset maker’s mark. The weight in the hand is precisely judged.
“In almost fifty years of cutlery design (yes, Pride was first produced in 1953) I have been hoping one day to arrive at the absolute minimal set made to the finest possible standards — a sort of minimal de luxe. I took as the starting point the ultimate flat knife which I considered to be functionally viable. The flat form was then developed in the fork and three spoons, designed ergonomically to cover all requirements; a capacious soup/serving spoon, middle-size dessert spoon and smaller tea/coffee spoon.”
—David Mellor as told to John Sorrell, Creative Island: Inspired Design from Great Britain (Te Neues Publishing Company, 2002)
David Mellor steak knife sets comes in handmade plywood boxes with sliding lid. Each knife has its individual slot. David Mellor knife sets come in specially designed birchwood boxes with a sliding lid. These make perfect gift sets and the handmade boxes can provide permanent safe storage for your knives. The boxes are designed to stack up neatly.
David Mellor Design operates on the simple principle that well-designed equipment can improve your life. The company was established by David Mellor, Royal Designer for Industry. Mellor is a key figure in British design with an international reputation as designer, manufacturer and shopkeeper. Born in Sheffield, he has always specialized in metalwork and he is particularly famous for his cutlery design.
David Mellor cutlery is manufactured in a purpose-designed modern factory in the Peak District National Park. The Round Building, designed by Sir Michael Hopkins, has won numerous architectural awards.
The famous David Mellor shop in Sloane Square, London, and the Country Shop alongside the factory at Hathersage in Derbyshire, sell a professional collection of kitchenware and tableware, expertly selected for those who love to cook and eat.
David Mellor retired in 2005 and his designer son Corin Mellor is now Creative Director of the company. Born in Sheffield in 1966. Corin Mellor trained as a product designer at Kingston and worked for the London architects YRM before joining his father, David Mellor. Corin Mellor has carried out a number of special design commissions. His public seating can be seen at the Lowry Gallery in Salford Quays, the Millennium Galleries and Winter Garden, Sheffield. He has recently worked on new projects for Sheffield Cathedral and Chatsworth House. At David Mellor Design Corin is responsible for special product development within the company. In 2007 he introduced new ranges of kitchen knives, table glass and woodware. Corin designed the interior of the new David Mellor Design Museum and Cafe at Hathersage.
This circular cutlery factory was purpose designed by Sir Michael Hopkins for David Mellor in 1990 and has become one of the iconic works of modern British architecture. The David Mellor site was formerly the Hathersage village gasworks. The factory was built on the foundations of the old gas cylinder, hence the circular form. Built in local gritstone with spectacular lead roof, this highly functional building is set discreetly in a rural area of outstanding natural beauty.
The Round Building has received numerous architectural and countryside awards, including the BBC Design Prize. The factory is open for viewing and on weekdays visitors are welcome to see David Mellor cutlery being made.
David Mellor Cutlery is made by a small specialist team of highly skilled craftsmen, some of whom have worked for decades with David Mellor, accruing exceptional expertise in metalwork. Though the factory is technologically advanced a high degree of hand finishing is employed to give the cutlery its perfectionist quality.
To learn more about this British designer, read “Design & Interiors: The Design Legacy of David Mellor, as English as Afternoon Tea,” by Claire Bingham in T, The New York Times Style Magazine, July 6, 2016.